Vital Leads & Keys Workshop
Learning Goals⌗
By the end of this session, students will:
- Create an expressive mono lead patch using glide, vibrato, and formant-style macros.
- Design a polyphonic key or pluck patch with velocity-sensitive tone.
- Map at least two expressive performance controls (mod wheel, or macros).
Session Flow⌗
Reference Listening Play a short clip of a classic analog lead and a glassy key sound. Identify the transient, sustain, vibrato, and filter motion.
Patch 1: Expressive Mono Lead (20 min)⌗
- OSC1: Saw; Sub Level: 10%.
- Filter: LP12 @ 5 kHz, Drive 10%.
- Voice tab: Mono + Legato; Glide 80 ms.
- LFO1: Sine → Fine Pitch (±0.05 st); map Macro 3 to LFO1 amount.
- Macro 1 “Bright” → Cutoff + Warp; Macro 2 “Bite” → Filter Drive + Distortion Wet.
Patch 2: Keys/Pluck (15 min)**⌗
Basic Pluck⌗
Oscillator 1: Any waveform
- Set unison to 4-8 voices for width
Amp Envelope:
- Attack: 0ms
- Decay: 200-500ms
- Sustain: 0%
- Release: 50-100ms
Filter:
- Type: Low-pass 24dB
- Cutoff: 800-1200Hz
- Resonance: 20-30%
Filter Envelope:
- Attack: 0ms
- Decay: 150-400ms
- Sustain: 0%
- Modulation amount: +40-60%
Enhancements:
- Add comb filter with key tracking enabled
- Layer Oscillator 2 as sine wave +1 octave
Call & Response Variation⌗
Clean Pluck: Use basic recipe above with glide enabled (50-100ms)
Dirty Pluck:
- Change Oscillator 2 to saw wave
- Remove comb filter
- Lower filter cutoff to 600-800Hz
- Switch to “Dirty” filter type
- Add drive and increase resonance to 40-50%
- Insert distortion effect before filter
Mix Effects:
- Multi-band compression for clarity
- Reverb (wet 15-25%)
- Delay (1/8 or 1/16 note, 20-30% wet)
- Pan clean pluck left, dirty pluck right
5. Performance & Mix Checks (10 min) Try both patches and see what you can come up with. Adjust macros for expressiveness.
6. Share-out & Critique (10 min) Volunteers play their patches, explain macro and velocity mappings.
Outcome: Students leave with two expressive, performance-ready Vital patches suitable for their final sound design projects.